Live Review

THE  SONGS  OF NICK DRAKE, WAY TO BLUE.

Warwick Arts Centre, 23/01/10

Review & photography by Hugh Padfield

I  was  20 years old  in 1969 , and living in West London at the time. Much of my spare time was spent supping coffees or lemon teas at folk clubs like Les Cousins, Bunjies  or the Troubadour, when I first heard of Nick Drake. His  contemporaries like John Martyn, Michael Chapman, Al Stewart, Bridget St John, Keith Christmas, Martin Carthy, Dave Swarbrick and the Young Tradition,  amongst others, captured my fascination and have influenced my music tastes and been an  inspiration ever since.  

Though I knew Nick Drake was ‘out there somewhere’ he simply didn’t gig as frequently as  the others.  We know now that he was withdrawn, using too many drugs and had come to believ he was a musical failure. It seems he simply couldn’t fathom that despite the praise that was heaped upon him as a ‘creative genius’, sales of his albums at the time never reflected this.

 
 
 
 
 
Nick Drake, like Syd Barrett, Frank Zappa and Captain Beefheart, have a special place embedded in the mythology of contemporary music history. They are spoken of in reverential terms and there is a general acknowledgement that they brought a new musical dimension to what was being played by others at the time. They were messing with jazz phrasing, discordant arrangements and guitar tunings that most of us at the time, struggled to make sense of.

Undoubtedly the British folk scene in the late 60’s and early 70‘s was at it’s zenith, and delivered us so much pleasure that we have been drunk on it  ever since.

Last weekend at the Warwick Arts Centre a concert of Nick Drake’s music  was delivered by a multitude of  fine  acoustic musicians, some famous currently,  some famous at the time when  Nick Drake was alive.

Danny Thompson was playing bass on Saturday, and had done so for Nick Drake on the album  ‘Five Leaves Left’ (1969). Vashti Bunyan in a ‘shaky’ voice sang a couple of Drake numbers. (Interestingly,  in 1969, she  had herself been encouraged to co-produce music with Nick Drake,  however  this venture was unproductive,  and their liaison was  ultimately shelved).

 

Others contributing, were Robyn Hitchcock, Krystle Warren, Teddy Thompson, Lisa Hannigan, Scott Matthews, Green Gartside , Kirsty Almeida, Neill MacColl, Martyn Barker, (drums), Zoe Rahman, (piano)

 

Most of the songs were just delightfully executed, reminding us of the core beauty of Drake’s  music. The concert was delicately orchestrated by a Kate St John, who had endeavoured to give the songs a fresh newness,  enhancing the overall impact of the songs,  making them more digestible than the originals, (almost).

(A word about the Warwick Arts Centre....  its huge, modern, comfortable and the sound was great. This venue is only  slightly smaller than  the Barbican on the South Bank).

 

 

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