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Wreckless Eric at the Thunderbolt 10th
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Review & photography by Sarah Quick |
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Wreckless Eric was one of the original
musicians touring with Stiff Records back in the late1970’s along
with Ian Dury and Nick Lowe. A seasoned performer he knows how to
engage his audience with his punchy guitar and witty repartee.
I arrived at the popular Thunderbolt pub just
as Eric took to the stage. Busy as it was, I managed to squeeze my
way to the front to hear him commenting on how packed the pub was
compared to the “17” that had attended the Fleece last time he had
played Bristol.
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Accompanied by his new wife Amy Rigby on guitar
and occasionally keyboards, Wreckless Eric began the first set by
playing some of his ‘growing–up’ songs – one about a creep, another
about standing at a bus stop in Saltdene – his poetic lyrics about
everyday subjects were poignant and often very amusing. Typically
self-depreciating and apologetic at times, he kept up an acerbic
commentary between songs “37 people enjoyed a slightly scrappy
performance”..
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Although I was unfamiliar with a lot of their
material, Eric and Amy warmed up midway through the first set and
the room was rocking to an impressive output on the intimate stage.
Eric’s nasally voice and twangy guitar sound harmonised well with
Amy’s and they gave impression of enjoying being there, doing the
‘live’ thing. I imagine his newfound partnership has helped to
revitalise Eric’s enthusiasm to get out and play live and they
appeared to have combined their songs to form a set with a wider
appeal.
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‘Astrovan’ in particular was an unusual number
on which Eric played organ, Amy the keyboards. Eric seemed a bit
Ivor Cutler or John Shuttleworth at this point with the surreal
lyrics, but perhaps it was purely the association with the
instrument rather than the song itself. They both laughed at the
end, Eric apologising “possibly the worst we’ve ever done it”. They
later took a break to allow the “more elderly members of the
audience to use the lavatory..” presumably he included himself in
that bracket..
For the second set I moved to the back of the pub to gauge the
reaction to the gig. Whilst it was far more difficult to see, I
found a chair to stand on like a lot of others and could feel the
enthusiasm surrounding me. People were truly there to listen and
although a bit of heckling went on, it was good natured and
appreciative. |
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| My favourite song was an emotional number which
began with a poem about a relationship splitting up – ‘her’ even
taking the fitted carpet which would not fit another room, moving
into a musical chant about personal possessions and the splitting of
the 33’s and the 45’s. It got a rapturous applause. I also enjoyed
the number about ‘dancing with Joey Ramone’ in which Amy took the
lead vocal. Inevitably Eric blasted out his best-known song (I’d go
the) Whole Wide World which went down a storm with the audience. By
this time the vibe was amiable, with most people, if not exactly
pogoing, certainly bobbing up and down, if not tapping a toe or
two... The duo finished with ‘Take the cash’ – colour of the money
(?) and came back on for a surprising encore of ‘Leaving on a Jet
plane’ – which proved to be as an intense a version as I’ve ever
heard. |
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As always at the Thunderbolt, the music generated an atmosphere that
was warm and friendly and the general good feeling from the gig
continued well on into the night.
Sarah Quick 2008 |
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